The sophomore effort from Detroit, Michigan quartet the Eastside Ninjas—comprised of Jamie Madrox, Monoxide, Blaze Ya Dead Homie, and Anybody Killa—has arrived. Having broken out after signing with the Insane Clown Posse at Psychopathic Records in the late 90s and early 2000s, the group eventually formed a “Pact of the 4” following the establishment of their own labels: Majik Ninja Entertainment, Grundy Entertainment, and Native World Inc. The announcement of The Return of the Lotus was met with skepticism, primarily due to the absence of two of the most important “petals” from the original lineup. The Return of the Lotus is a project that ultimately struggles to find its footing without the presence of the Insane Clown Posse.
Following the intro, the opening track “Shadow” blends trap and rock elements, allowing the group to spit their signature “wicked” style while discussing the persistent nature of death. Conversely, “Eradicate” leans into a darker atmospheric sound, with the artists candidly admitting to their own flaws. “Wolves” explores themes of survival against the odds, leading into “All of My Words,” where the Ninjas plead for the universe to lift their burdens.
As the album reaches its midpoint, “Resilience” highlights the strength of character required to withstand external criticism. This transitions into “Mummified,” a track that amplifies the rap-rock influences to discuss the feeling of being trapped. “Thoughts Lethal” maintains the guitar-heavy aesthetic while dissecting the artists’ individual mental struggles, while the single “I Kill ‘Em Better,” produced by Fritz the Cat and Grady Finch, offers a look at the animalistic nature within us all.
The latter half of the record, including tracks like “More Like Control” and the rap-rock-tinged “Down 4 Life,” addresses the group’s history and their relationship with their former label. The album poses difficult questions regarding fan loyalty following the split with Psychopathic Records nearly a decade ago. While some may remain supportive, this project feels more alienating than their 2020 attempt at reviving the Psychopathic Rydas. “Walking Disaster” concludes the experience with a four-minute reflection on their past associations.
Ultimately, The Return of the Lotus feels like a sophomore effort that lacks the cohesion of the original Dark Lotus. Without the involvement of Violent J and Shaggy 2 Dope, the project struggles to justify its title. While the production is tolerable, the album fails to reach the heights of the group’s potential, serving as a reminder that some legacies are difficult to replicate.
Score: 3/10